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                <title level="a">[Moore&#8217;s Life of Lord Byron]</title>
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                    <date when="1830-01-16">16 January 1830</date>
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            <div xml:id="LitGaz" n="THE LITERARY GAZETTE, AND#JOURNAL OF THE BELLES LETTRES." type="article">
                <docDate when="1830-01-16"/>
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                    <item n="LiteraryGaz.1830.Moore1"/>
                    <item n="LiteraryGaz.1830.Moore2"/>
                    <item n="LiteraryGaz.1830.Moore3"/>
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                    <lb/>
                    <seg rend="26px">THE LONDON LITERARY GAZETTE;</seg>
                    <lb/>
                    <seg rend="12px">AND</seg>
                    <lb/>
                    <seg rend="22px">
                        <hi rend="italic">Journal of Belles Lettres, Arts, Sciences &amp;c.</hi>
                    </seg>
                    <lb/>
                    <lb/>
                </l>
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                <p rend="hang-indent">
                    <seg rend="10px">This Journal is supplied Weekly, or Monthly, by the principal Booksellers and
                        Newsmen, throughout the Kingdom; but to those who may desire its immediate transmission, by
                        post, we recommend the LITERARY GAZETTE, printed on stamped paper, price One
                        Shilling.</seg>
                </p>
                <figure rend="singleLine"/>
                <table>
                    <row rend="small">
                        <cell rend="left"> No. 678. </cell>
                        <cell rend="center">SATURDAY,&#160;JANUARY 16,&#160;1830.</cell>
                        <cell rend="right"> PRICE 8<hi rend="italic">d.</hi>
                        </cell>
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                <lb/>
                <l rend="center">
                    <seg rend="18px">REVIEW OF NEW BOOKS.</seg>
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                <p xml:id="JG-x" rend="not-indent">
                    <name type="title" key="ThMoore1852.Byron"><hi rend="italic">Letters and Journals of Lord
                            Byron; with Notices of his Life</hi></name>. By <persName key="ThMoore1852">Thomas
                        Moore</persName>. Volume I. 4to. pp. 670. London, 1830. <persName>Murray</persName>. </p>
                <lb/>

                <p xml:id="LG1-1">
                    <hi rend="small-caps">Under</hi> this modest title we have now before us—whether we consider
                    the subject, the writer, or the performance itself—one of the most interesting pieces of
                    biography that has ever adorned the literature of England. To the general reader the work will
                    be found to be one of unflagging attractions; while to the more philosophical inquirer it will
                    present the curious phenomenon of exhibiting the minds and characters of two of the most
                    distinguished Poets of the age;—for it is as much the life and opinions of <persName
                        key="ThMoore1852">Moore</persName> as it is of <persName key="LdByron">Byron</persName>. In
                    his estimates of the latter we trace his own modes of thinking and powers; and the exposition
                    of the wide difference that existed between the natural ideas and poetical conceptions of these
                    two celebrated men gives scope to very striking reflections, and imparts an inestimable value
                    and charm to this book. With regard to its style and manner, also, it is a delightful
                    production. Ease, the absence of pretension, clearness, entertaining anecdote, judicious
                    selection, and acute remark, are its obvious qualities throughout; and though it has much to
                    engage the deepest attention, we never perused a narrative of which it could more truly be
                    said, in the most favourable sense,—&#8220;He that runs might read.&#8221; With this brief
                    preface we shall hasten to offer a summary analysis of what has pleased us so much; following
                    the course of time, and illustrating our Review as <persName>Mr. Moore</persName> has
                    illustrated his Notices, with quotation and occasional observations. </p>

                <p xml:id="LG1-2"> Of <persName key="LdByron">Lord Byron</persName>, the author remarks, it might
                    more justly, and in a far greater degree, be said than it was of <persName key="FrPetra1374"
                        >Petrarch</persName>, that &#8220;<q>his correspondence and verses together afford the
                        progressive interest of a narrative in which the poet is always identified with the
                    man</q>;&#8221;—and in his opening paragraph he allows that there was some foundation for
                    another assertion, namely, that his Lordship was prouder of being descended from the
                        <persName>Byrons</persName> of Normandy, who accompanied the Conqueror, than of having been
                    the author of <name type="title" key="LdByron.Harold">Childe Harold</name> and <name
                        type="title" key="LdByron.Manfred">Manfred</name>. This, indeed, is not unlikely—and the
                    pride of birth is an ennobling sentiment, which ought not to be disrespected: on the contrary,
                    it is much to be desired that it were more common among the higher ranks. Then would many a
                    mean action be avoided, and many an honourable action performed, which we fear the existing
                    state of society does not warrant us in concluding are to be discovered tn its annals. Next to
                    the pride of birth (we are treating of moral, and not of religious motives), the best guide and
                    regulator of human conduct is a fine feeling of the worth of exalted approbation in the wise
                    and good: to be esteemed by the estimable is a most excellent standard at which to aspire; and
                    the man pos<cb/>sessed of this ambition has in himself a principle similar to that which
                    splendour of race allots to the scion of an illustrious line. Thus the poorest and the humblest
                    amongst the various classes into which the British community is subdivided, may happily stand
                    upon as sure and glorious an eminence as the first-born of the land—one of the best blessings
                    of our free constitution! Does not <persName key="ThMoore1852">Moore</persName> go side by side
                    with <persName>Byron</persName>—the one from the middle ranks, and the other with all his
                    Norman blood through haughty generations? </p>

                <p xml:id="LG1-3"> Another casual circumstance appears to have had a wonderful effect on the
                    destinies of <persName key="LdByron">Lord Byron</persName>;—we allude to his having a lame or
                    club-foot, of which <persName key="ThMoore1852">Mr. Moore</persName> makes frequent mention. </p>

                <p xml:id="LG1-4"> &#8220;<q>By an accident (he tells us) which, it is said, occurred at the time
                        of his birth, one of his feet was twisted out of its natural position, and this defect
                        (chiefly from the contrivances employed to remedy it) was a source of much pain and
                        inconvenience to him during his early years. The expedients used at this period to restore
                        the limb to shape were adopted by the advice, and under the direction, of the celebrated
                            <persName key="JoHunte1793">John Hunter</persName>, with whom <persName>Doctor
                            Livingstone</persName> of Aberdeen corresponded on the subject; and his nurse; to whom
                        fell the task of putting on these machines or bandages, at bedtime, would often, as she
                        herself told my informant, sing him to sleep, or tell him stories and legends, in which,
                        like most other children, he took great delight. She also taught him while yet an infant,
                        to repeat a great number of the Psalms; and the first and twenty-third Psalms were among
                        the earliest that he committed to memory. It is a remarkable fact, indeed, that through the
                        care of this respectable woman, who was herself of a very religious disposition, he
                        attained a far earlier and more intimate acquaintance with the Sacred Writings than falls
                        to the lot of most young people. In a letter which he wrote to <persName key="JoMurra1843"
                            >Mr. Murray</persName>, from Italy, in 1821, after requesting of that gentleman to send
                        him, by the first opportunity, a Bible, he adds—&#8216;<q>Don&#8217;t forget this, for I am
                            a great reader and admirer of those books, and had read them through and through before
                            I was eight years old,—that is to say, the Old Testament, for the New struck me as a
                            task, but the other as a pleasure. I speak, as a boy, from the recollected impression
                            of that period at Aberdeen, in 1796.</q>&#8217; The malformation of his foot was, even
                        at this childish age, a subject on which he showed peculiar sensitiveness. I have been told
                        by a gentleman of Glasgow, that the person who nursed his wife, and who still lives in his
                        family, used often to join the nurse of Byron when they were out with their respective
                        charges, and one day said to her, as they walked together, &#8216;<q>What a pretty boy
                            Byron is! what a pity he has such a leg!</q>&#8217; On hearing this allusion to his
                        infirmity, the child&#8217;s eyes flashed with anger, and striking at her with a little
                        whip which he held in his hand, he exclaimed impatiently, &#8216;<q>Dinna <cb/> speak of
                            it!</q>&#8217; Sometimes, however, as in after life, he could talk indifferently and
                        even jestingly of this lameness: and there being another little boy in the neighbourhood,
                        who had a similar defect in one of his feet, Byron would say, laughingly, &#8216;<q>Come
                            and see the twa laddies with the twa club feet going up the
                        Broad-street.</q>&#8217;</q>&#8221; </p>

                <p xml:id="LG1-5"> Again, describing his early days, (ten years of age, when he succeeded to the
                    title,) his biographer remarks: </p>

                <p xml:id="LG1-6"> &#8220;<q>Even under the most favourable circumstances, such an early elevation
                        to rank would be but too likely to have a dangerous influence on the character; and the
                        guidance under which young <persName key="LdByron">Byron</persName> entered upon his new
                        station was, of all others, the least likely to lead him safely through its perils and
                        temptations. His mother, without judgment or self-command, alternately spoiled him by
                        indulgence, and irritated, or—what was still worse,—amused him by her violence. That strong
                        sense of the ridiculous, for which he was afterwards so remarkable, and which showed itself
                        thus early, got the better even of his fear of her; and when <persName key="CaByron1811"
                            >Mrs. Byron</persName>, who was a short and corpulent person, and rolled considerably
                        in her gait, would, in a rage, endeavour to catch him, for the purpose of inflicting
                        punishment, the young urchin, proud of being able to outstrip her, notwithstanding his
                        lameness, would run round the room, laughing like a little Puck, and mocking at all her
                        menaces. In the few anecdotes of his early life which he related in his &#8216;<name
                            type="title" key="LdByron.Memoir">Memoranda</name>,&#8217; though the name of his
                        mother was never mentioned but with respect, it was not difficult to perceive that, the
                        recollections she had left behind—at least, those that had made the deepest impression—were
                        of a painful nature. One of the most striking passages, indeed, in the few pages of that
                            <name type="title">Memoir</name> which related to his early days, was where, in
                        speaking of his own sensitiveness, on the subject of his deformed foot, he described the
                        feeling of horror and humiliation that came over him, when his mother, in one of her fits
                        of passion, called him &#8216;a lame brat&#8217; As all that he had felt strongly through
                        life was, in some shape or other, reproduced in his poetry, it was not likely that an
                        expression such as this should fail of being recorded. Accordingly we find, in the opening
                        of his drama, &#8216;<name type="title" key="LdByron.Deformed">The Deformed
                            Transformed</name>,&#8217; <q>
                            <lg xml:id="LG1.33a">
                                <l rend="indent60"> &#8220; <persName type="fiction"><hi rend="italic"
                                        >Bertha</hi></persName>. Out, hunchback! </l>
                                <l rend="indent60">
                                    <persName type="fiction"><hi rend="italic">Arnold</hi></persName>. I was born
                                    so, mother!&#8221; </l>
                            </lg>
                        </q> It may be questioned, indeed, whether that whole drama was not indebted for its origin
                        to this single recollection.</q>
                </p>

                <p xml:id="LG1-7"> It may be questioned, indeed, whether that whole drama was not indebted for its
                    origin to this single recollection.&#8221; </p>

                <p xml:id="LG1-8"> We are ourselves aware of a remarkable circumstance of the same nature. In one
                    of the unhappy altercations to which <persName key="CaByron1811">Mrs. Byron&#8217;s</persName>
                    violence of temper gave rise, she covered <persName>George</persName> with many reproaches; and
                    among other things said, &#8220;<q>You ought at least to recollect that I am your mother; that
                        you owe your birth to me!</q>&#8221; To which he flashed out the bitter reply,
                        &#8220;<q>Yes, I have to thank you for giving birth to a <hi rend="italic"
                        >monster!</hi></q>&#8221; </p>

                <pb xml:id="LG1.34"/>

                <p xml:id="LG1-9"> The following anecdotes relating to the same topic are from <persName
                        key="ThMoore1852">Mr. Moore</persName>: speaking of his attachment, at the age of little
                    more than sixteen, to <persName key="MaMuste1832">Miss Chaworth</persName> (afterwards <q>Mrs.
                        Musters</q>), he says: </p>

                <p xml:id="LG1-10"> &#8220;<q>His time at Annesley was mostly passed in riding with <persName
                            key="MaMuste1832">Miss Chaworth</persName> and her cousin,—sitting in idle reverie, as
                        was his custom, pulling at his handkerchief, or in firing at a door which opens upon the
                        terrace, and which still, I believe, bears the marks of his shots. But his chief delight
                        was in sitting to hear <persName>Miss Chaworth</persName> play; and the pretty Welsh air,
                            &#8216;<name type="title">Mary Anne,</name>&#8217; was (partly, of course, on account
                        of the name) his especial favourite. During all this time he had the pain of knowing that
                        the heart of her he loved was occupied by another;—that, as he himself expresses it, <q>
                            <lg xml:id="LG1.34a">
                                <l rend="indent40"> &#8216;Her sighs were not for him; to her he was </l>
                                <l rend="indent40"> Even as a brother—but no more.&#8217; </l>
                            </lg>
                        </q> Neither is it, indeed, probable, had even her affections been disengaged, that
                            <persName key="LdByron">Lord Byron</persName> would, at this time, have been selected
                        as the object of them. A seniority of two years gives to a girl, &#8216;on the eve of
                        womanhood,&#8217; an advance into life, with which the boy keeps no proportionate pace.
                            <persName>Miss Chaworth</persName> looked upon <persName>Byron</persName> as a mere
                        schoolboy. He was in his manners, too, at that period, rough and odd, and (as I have heard
                        from more than one quarter) by no means popular among girls of his own age. If, at any
                        moment, however, he had flattered himself with the hope of being loved by her, a
                        circumstance mentioned in his &#8216;Memoranda,&#8217; as one of the most painful of those
                        humiliations to which the defect in his foot had exposed him, must have let the truth in,
                        with dreadful certainty, upon his heart. He either was told of, or overheard,
                            <persName>Miss Chaworth</persName> saying to her maid, &#8216;<q>Do you think I could
                            care any thing for that lame boy?</q>&#8217; This speech, as he himself described it,
                        was like a shot through his heart. Though late at night when he heard it, he instantly
                        darted out of the house, and scarcely knowing whither he ran, never stopped till he found
                        himself at Newstead. The picture which he has drawn of this youthful love, in one of the
                        most interesting of his poems, &#8216;<name type="title" key="LdByron.Dream">The
                            Dream</name>,&#8217; shows how genius and feeling can elevate the realities of this
                        life, and give to the commonest events and objects an undying lustre. The old hall at
                        Annesley, under the name of &#8216;the antique oratory,&#8217; will long call up to fancy
                        the &#8216;maiden and the youth&#8217; who once stood in it; while the image of the
                        &#8216;lover&#8217;s steed,&#8217; though suggested by the unromantic race-ground of
                        Nottingham, will not the less conduce to the general charm of the scene, and share a
                        portion of that light which only Genius could shed over it. He appears already, at this
                        boyish age, to have been so far a proficient in gallantry as to know the use that may be
                        made of the trophies of former triumphs in achieving new ones; for he used to boast, with
                        much pride, to <persName>Miss Chaworth,</persName> of a locket which some fair favourite
                        had given him, and which probably may have been a present from that pretty cousin, of whom
                        he speaks with such warmth in one of the notices already quoted. He was also, it appears,
                        not a little aware of his own beauty, which, notwithstanding the tendency to corpulence
                        derived from his mother, gave promise, at this time, of that peculiar expression into which
                        his features refined and kindled afterwards. With the summer holidays ended this dream of
                        his youth.</q>&#8221; </p>

                <p xml:id="LG1-11"> When more advanced in years, viz. nineteen, we are told: </p>

                <p xml:id="LG1-12"> &#8220;<q>In his attention to his person and dress, <cb/> to the becoming
                        arrangement of his hair, and to whatever might best show off the beauty with which nature
                        had gifted him, he manifested, even thus early, his anxiety to make himself pleasing to
                        that sex, who were from first to last, the ruling stars of his destiny. The fear of
                        becoming, what he was naturally inclined to be, enormously fat, had induced him, from his
                        first entrance at Cambridge, to adopt, for the purpose of reducing himself, a system of
                        violent exercise and abstinence, together with the frequent use of warm-baths. But the
                        embittering circumstance of his life,—that, which haunted him, like a curse, amidst the
                        buoyancy of youth, and the anticipations of fame and pleasure, was, strange to say, the
                        trifling deformity of his foot. By that one slight blemish (as in his moments of melancholy
                        he persuaded himself) all the blessings that nature had showered upon him were
                        counterbalanced. His reverend friend, <persName key="JoBeche1848">Mr. Becher</persName>,
                        finding him one day unusually dejected, endeavoured to cheer and rouse him by representing,
                        in their brightest colours, all the various advantages with which Providence had endowed
                        him,—and, among the greatest, that of &#8216;a mind which placed him above the rest of
                        mankind.&#8217; &#8216;<q>Ah, my dear friend,</q>&#8217; said <persName key="LdByron"
                            >Byron</persName>, mournfully,—&#8216;<q>if <hi rend="italic">this</hi> (laying his
                            hand on his forehead) places me above the rest of mankind, <hi rend="italic">that</hi>
                            (pointing to his foot) places me far, far below them.</q>&#8217;</q>&#8221; </p>

                <p xml:id="LG1-13"> We have dwelt perhaps too much on this point; but it had so momentous an
                    influence on <persName key="LdByron">Byron&#8217;s</persName> fate and genius, that it becomes
                    a matter of great interest. Exempt from the mortifications to which his lameness subjected his
                    sensitive spirit, he might have been a gay and heedless reveller in the fashionable circles,
                    instead of the immortal bard: indeed, it is evident that he never would have been the latter,
                    but for the morbid and misanthropic temperament, and the actual consequences at home and
                    abroad, of which this defect laid the foundations. We now revert to other matters. </p>

                <p xml:id="LG1-14"> Of the ancestors, &amp;c. of the noble Lord, we shall say nothing; but quote
                    the writer&#8217;s deduction, after describing them, their eccentricities, their fierce
                    resentments, their good qualities, and their deeds. </p>

                <p xml:id="LG1-15"> &#8220;<q>In reviewing thus cursorily the ancestors, both near and remote, of
                        Lord Byron, it cannot fall to be remarked how strikingly he combined in his own nature some
                        of the best and, perhaps, worst qualities that lie scattered through the various characters
                        of his predecessors,—the generosity, the love of enterprise, the high-mindedness of some of
                        the better spirits of his race, with the irregular passions, the eccentricity, and daring
                        recklessness of the world&#8217;s opinion, that so much characterized others.&#8221;</q>
                </p>

                <p xml:id="LG1-16"> His mother&#8217;s marriage was an unfortunate one;—and on the 22d of January,
                    1786, <persName>George</persName>, her only son, was born, in Holies Street, London. That
                        <persName>Lord B.</persName>, like almost all persons of genius, was somewhat inclined to
                    superstition, the following will shew. </p>

                <p xml:id="LG1-17"> &#8220;<q>In reference to the circumstance of his being an only child,
                            <persName key="LdByron">Lord Byron</persName>, in one of his journals, mentions some
                        curious coincidences in his family, which to a mind disposed as his was to regard every
                        thing connected with himself as out of the ordinary course of events, would naturally
                        appear even more strange and singular than they are. &#8216;<q>I have been thinking,&#8217;
                            he says, &#8216;of an odd circumstance. My daughter (1), my wife (2), my half-sister
                            (3) my mother (4), my sister&#8217;s mother (5), my natural daughter (6), and myself
                            (7), are, or were, all <hi rend="italic">only</hi> children. My sister&#8217;s mother
                                (<persName key="LyDarcy">Lady Conyers</persName>) had only my <cb/> half-sister by
                            that second marriage (herself, too, an only child), and my father had only me, an only
                            child, by his second marriage with my mother, an only child too. Such a complication of
                                <hi rend="italic">only</hi> children, all tending to one family, in singular
                            enough, and looks like fatality almost,</q>&#8217; He then adds, characteristically,
                            &#8216;<q>But the fiercest animals have the fewest numbers in their litters, as lions,
                            tigers, and even elephants, which are mild in comparison.</q>&#8217; * * *</q>
                </p>

                <p xml:id="LG1-18"> &#8220;<q>In addition to the natural tendency to superstition, which is usually
                        found connected with the poetical temperament, <persName key="LdByron">Lord
                            Byron</persName> had also the example and influence of his mother, acting upon him from
                        infancy, to give his mind this tinge. Her implicit belief in the wonders of second sight,
                        and the strange tales she told of this mysterious faculty, used to astonish not a little
                        her sober English friends; and it will be seen, that, at so late a period as the death of
                        his friend <persName key="PeShell1822">Shelley</persName>, the idea of fetches and
                        forewarnings, impressed upon him by his mother, had not wholly lost possession of the
                        poet&#8217;s mind. As an instance of a more playful sort of superstition, I may be allowed
                        to mention a slight circumstance told me of him by one of his Southwell friends. This lady
                        had a large agate bead, with a wire through it, which had been taken out of a barrow, and
                        lay always in her work-box. <persName>Lord Byron</persName> asking, one day, what it was,
                        she told him that it had been given her as an amulet, and the charm was, that, as long as
                        she had this bead in her possession, she should never be in love. &#8216;<q>Then give it to
                            me,&#8217; he cried, eagerly, &#8216;for that&#8217;s just the thing I want.</q>&#8217;
                        The young lady refused;—but it was not long before the bead disappeared. She taxed him with
                        the theft, and he owned it; but said, she never should see her amulet again. * * *</q>
                </p>

                <p xml:id="LG1-19"> &#8220;<q>When he first went to Newstead, on his arrival from Aberdeen, he
                        planted, it seems, a young oak in some part of the grounds, and had an idea that as <hi
                            rend="italic">it</hi> flourished so should <hi rend="italic">he</hi>. Some six or seven
                        years after, on revisiting the spot, he found his oak choked up by weeds, and almost
                        destroyed. In this circumstance, which happened soon after <persName key="LdGrey19">Lord
                            Grey de Ruthen</persName> left Newstead, originated one of these poems, which consists
                        of <name type="title" key="LdByron.Oak">five stanzas</name>, but of which the few opening
                        lines will be a sufficient specimen:—</q>
                    <q>
                        <lg xml:id="LG1.34b">
                            <l rend="indent40"> &#8216;Young Oak, when I planted thee deep in the ground, </l>
                            <l rend="indent60"> I hoped that thy days would be longer than mine; </l>
                            <l rend="indent40"> That thy dark-waving branches would flourish around, </l>
                            <l rend="indent60"> And ivy thy trunk with its mantle entwine. </l>
                        </lg>
                        <lg xml:id="LG1.34c">
                            <l rend="indent40"> Such, such was my hope, when, in infancy&#8217;s years, </l>
                            <l rend="indent60"> On the land of my fathers I rear&#8217;d thee with pride; </l>
                            <l rend="indent40"> They are past, and I water thy stem with my tears,— </l>
                            <l rend="indent60"> Thy decay not the weeds, that surround thee, can hide. </l>
                        </lg>
                        <lg xml:id="LG1.34d">
                            <l rend="indent40"> I left thee, my Oak, and, since that fatal hour, </l>
                            <l rend="indent60"> A stranger has dwelt in the Hall of my Sire,&#8217; &amp;c. &amp;c.
                            </l>
                        </lg>
                    </q>
                </p>

                <p xml:id="LG1-20"> &#8220;<q>At Newstead (when he arrived there at ten years of age), both the
                        mansion and the grounds around it were suffered to fall helplessly into decay; and among
                        the few monuments of either care or expenditure which their lord left behind, were some
                        masses of rockwork, on which much cost had been thrown away, and a few castellated
                        buildings on the banks of the lake and in the woods. The forts upon the lake were designed
                        to give a naval appearance to its waters, and frequently, in his more social days, he used
                        to amuse himself with sham fights,—his vessels attacking the forts, and being cannonaded by
                        them in return. The largest of these vessels had been built for him at some seaport on the
                        eastern coast, and, being conveyed on wheels over the Forest to Newstead, was supposed to
                        have fulfilled one <pb xml:id="LG1.35"/> of the prophecies of <persName key="MoShipt1530"
                            >Mother Shipton</persName>, which declared that &#8216;<q>when a ship laden with <hi
                                rend="italic">ling</hi> should cross over Sherwood Forest, the Newstead Estate
                            would pass from the Byron family.</q>&#8217; In Nottinghamshire, &#8216;ling&#8217; is
                        the term used for <hi rend="italic">heather;</hi> and, in order to bear out
                            <persName>Mother Shipton</persName> and spite the old lord, the country people, it is
                        said, ran along by the side of the vessel, heaping it with heather all the way.</q>&#8221; </p>

                <p xml:id="LG1-21"> Elsewhere we have other examples of this disposition. Of <persName
                        key="CpKidd1809">Captain Kidd</persName>, with whom he sailed to Lisbon in 1809, he used to
                    mention a strange story. </p>

                <p xml:id="LG1-22"> &#8220;<q>This officer stated that, being asleep one night in his berth, he was
                        awakened by the pressure of something heavy on his limbs, and, there being a faint light in
                        the room, could see, as he thought, distinctly, the figure of his brother, who was, at that
                        time, in the naval service in the East Indies, dressed in his uniform and stretched across
                        the bed. Concluding it to be an illusion of the senses, he shut his eyes and made an effort
                        to sleep. But still the same pressure continued, and still, as often as he ventured to take
                        another look, he saw the figure lying across him in the same position. To add to the
                        wonder, on putting his hand forth to touch this form, he found the uniform, in which it
                        appeared to be dressed, dripping wet. On the entrance of one of his brother officers, to
                        whom he called out in alarm, the apparition vanished; but in a few months after, he
                        received the startling intelligence that on that night his brother had been drowned in the
                        Indian seas. Of the supernatural character of this appearance, <persName>Captain
                            Kidd</persName> himself did not appear to have the slightest doubt.</q>&#8221; </p>

                <p xml:id="LG1-23"> Of his Lordship&#8217;s infancy, <persName key="ThMoore1852">Mr. M.</persName>
                    says: &#8220;<q>That, as a child, his temper was violent, or rather sullenly passionate, is
                        certain. Even when in petticoats he shewed the same uncontrollable spirit with his nurse,
                        which he afterwards exhibited, when an author, with his critics. Being angrily reprimanded
                        by her, one day, for having soiled or torn a new frock in which he had been just dressed,
                        he got into one of his &#8216;silent rages&#8217; (as he himself has described them),
                        seized the frock with both his hands, rent it from top to bottom, and Mood in sullen
                        stillness, setting his censurer and her wrath at defiance. But, notwithstanding this, and
                        other such unruly outbreaks—in which he was but too much encouraged by the example of his
                        mother, who frequently, it is said, proceeded to the same extremities with her caps, gowns,
                        &amp;c.—there was in his disposition, as appears from the concurrent testimony of nurses,
                        tutors, and all who were employed about him, a mixture of affectionate sweetness and
                        playfulness, by which it was impossible not to be attached; and which rendered him then, as
                        in his riper years, easily manageable, by those who loved and understood him sufficiently
                        to be at once gentle and firm enough for the task. * * *</q>
                </p>

                <p xml:id="LG1-24"> &#8220;<q>His love of solitary rambles, and his taste for exploring in all
                        directions, led him not unfrequently so far as to excite serious apprehensions for his
                        safety. While at Aberdeen, he used often to steal from home unperceived;—sometimes he would
                        find his way to the seaside; and once, after a long and anxious search, they found the
                        adventurous little rover struggling in a sort of morass or marsh, from which he was unable
                        to extricate himself. In the course of one of his summer excursions up Dee-side, he had an
                        opportunity of seeing still more of the wild beauties of the Highlands than even the
                        neighbourhood of their residence at Ballatrech afforded,—having been taken by his
                        mo<cb/>ther through the romantic passes that lead to Invercauld, and as far up as the small
                        waterfall, called the Linn of Dee. Here his love of adventure had nearly cost him his life.
                        As he was scrambling along a declivity that overhung the fall, some heather caught his lame
                        foot and he fell. Already he was rolling downward when the attendant luckily caught hold of
                        him, and was but just in time to save him from being killed. It was about this period, when
                        he was not quite eight years old, that a feeling partaking more of the nature of love than
                        it is easy to believe possible in so young a child, took, according to his own account,
                        entire possession of his thoughts and showed how early, in this passion, as in most others,
                        the sensibilities of his nature were awakened.* The name of the object of this attachment
                        was <persName key="MaDuff1858">Mary Duff</persName>; and the following passage from a
                        Journal, kept by him in 1813, will show how freshly, after an interval of seventeen years,
                        all the circumstances of this early love still lived in his memory. &#8216;<q>I have been
                            thinking lately a good deal of <persName key="MaDuff1858">Mary Duff</persName>. How
                            very odd that I should have been so utterly, devotedly fond of that girl, at an age
                            when I could neither feel passion, nor know the meaning of the word. And the effect!—My
                            mother used always to rally me about this childish amour; and, at last, many years
                            after, when I was sixteen, she told me one day, &#8216;Oh, Byron, I have had a letter
                            from Edinburgh, from <persName>Miss Abercromby</persName>, and your old sweetheart
                                <persName>Mary Duff</persName> is married to a <persName key="RoCockb1844">Mr.
                                    Co<seg rend="super">e</seg></persName>.&#8217; And what was my answer? I really
                            cannot explain or account for my feelings at that moment; but they nearly threw me into
                            convulsions, and alarmed my mother so much, that, after I grew better, she generally
                            avoided the subject—to <hi rend="italic">me</hi>—and contented herself with telling it
                            to all her acquaintance. Now, what could this be? I had never seen her since her
                            mother&#8217;s faux-pas at Aberdeen had been the cause of her removal to her
                            grandmother&#8217;s at Banff; we were both the merest children. I had and have been
                            attached fifty times since that period; yet I recollect all we said to each other, all
                            our caresses, her features, my restlessness, sleeplessness, my tormenting my
                            mother&#8217;s maid to write for me to her, which she at last did, to quiet me. Poor
                                <persName>Nancy</persName> thought I was wild, and, as I could not write for
                            myself, became my secretary. I remember, too, our walks, and the happiness of sitting
                            by <persName>Mary</persName>, in the children&#8217;s apartment, at their house not far
                            from the Plainstones at Aberdeen, while her lesser sister <persName>Helen</persName>
                            played with the doll, and we sate gravely making love, in our way. How the deuce did
                            all this occur so early? where could it originate? I certainly had no sexual ideas for
                            years afterwards; and yet my misery, my love for that girl were so violent, that I
                            sometimes doubt if I have ever been really attached since. Be that as it may, hearing
                            of her marriage several years after was like a thunder-stroke—it nearly choked me—to
                            the horror of my mother and the astonishment and almost incredulity of every body. And
                            it is a phenomenon in my existence (for I was not eight years old) which has puzzled,
                            and will puzzle me to the latest hour of it; and lately, I know not why, the <hi
                                rend="italic">recollection</hi> (<hi rend="italic">not</hi> the attachment) has
                            recurred as forcibly as <cb/> ever. I wonder if she can have the least remembrance of
                            it or me? or remember her pitying sister <persName>Helen</persName> for not having an
                            admirer too? How very pretty is the perfect image of her in my memory—her brown, dark
                            hair, and hazel eyes; her very dress! I should be quite grieved to see her now; the
                            reality, however beautiful, would destroy, or at least confuse, the features of the
                            lovely Peri which then existed in her, and still lives in my imagination, at the
                            distance of more than sixteen years. I am now twenty-five and odd months. I think my
                            mother told the circumstances (on my hearing of her marriage) to the Parkynses, and
                            certainly to the <persName>Pigot</persName> family, and probably mentioned it in her
                            answer to Miss A., who was well acquainted with my childish <hi rend="italic"
                                >penchant,</hi> and had sent the news on purpose for <hi rend="italic"
                            >me,</hi>—and, thanks to her! Next to the beginning, the conclusion has often occupied
                            my reflections, in the way of investigation. That the facts are thus, others know as
                            well as I, and my memory yet tells me so, in more than a whisper. But, the more I
                            reflect, the more I am bewildered to assign any cause for this precocity of
                            affection.</q>&#8217;</q>&#8221; </p>

                <p xml:id="LG1-25"> Without at present entering into the author&#8217;s opinions respecting the
                    first inspirations of the noble poet, we shall quote what he states of their first
                    fruits—(1798). </p>

                <p xml:id="LG1-26"> &#8220;<q>It was about this period, according to his nurse, <persName
                            key="MaGray1800">May Gray</persName>, that the first symptom of any tendency towards
                        rhyming showed itself in him; and the occasion which she represented as having given rise
                        to this childish effort was as follows. An elderly lady, who was in the habit of visiting
                        his mother, had made use of some expression that very much affronted him, and these
                        slights, his nurse said, he generally resented violently and implacably. The old lady had
                        some curious notions respecting the soul, which, she imagined, took its flight to the moon
                        after death, as a preliminary essay before it proceeded further. One day, after a
                        repetition, it is supposed, of her original insult to the boy, he appeared before his nurse
                        in a violent rage. &#8216;Well, my little hero,&#8217; she asked, &#8216;what&#8217;s the
                        matter with you now?&#8217; Upon which the child answered, that &#8216;this old woman had
                        put him in a most terrible passion—that he could not bear the sight of her,&#8217; &amp;c.
                        &amp;c.—and then broke out into the following doggerel, which he repeated over and over, as
                        if delighted with the vent he had found for his rage:— <q>
                            <lg xml:id="LG1.35a">
                                <l rend="indent40"> &#8216;In Nottingham county there lives at Swan Green, </l>
                                <l rend="indent40"> As curst an old lady as ever was seen; </l>
                                <l rend="indent40"> And when she does die, which I hope will be soon, </l>
                                <l rend="indent40"> She firmly believes she will go to the moon.&#8217; </l>
                            </lg>
                        </q> It is possible that these rhymes may have been caught up at second-hand; and he
                        himself, as will presently be seen, dated his &#8216;first dash into poetry,&#8217; as he
                        calls it, a year later:—but the anecdote altogether, as containing some early dawnings of
                        character, appeared to me worth preserving.</q>&#8221; </p>

                <p xml:id="LG1-27"> From his first poetry we naturally slide into his first love, with the childish
                    exception before excepted. </p>

                <p xml:id="LG1-28"> &#8220;<q>It was, probably, during one of the vacations of this year (1800),
                        that the boyish love for his young cousin, <persName key="MaParke1802">Miss
                            Parker</persName>, to which he attributes the glory of having first inspired him with
                        poetry, took possession of his fancy. &#8216;<q>My first dash into poetry (he says) was as
                            early as 1800. It was the ebullition of a passion for my first cousin,
                                <persName>Margaret Parker</persName> (daughter and granddaughter of the two
                                <persName key="ChParke1804">Admirals Parker</persName>), one of the most beautiful
                            of evanescent beings. I have long forgotten the verses, but it would be difficult for
                            me to forget her—her dark eyes <note place="foot">
                                <p> * &#8220;<q><persName key="DaAligh">Dante</persName>, we know, was but nine
                                        years old when, at a May-day festival, he saw and fell in love with
                                            <persName type="fiction">Beatrice</persName>; and <persName
                                            key="ViAlfie1803">Alfieri</persName>, who was himself a precocious
                                        lover, considers such early sensibility to be an unerring sign of a soul
                                        formed for the fine arts:— &#8216;<q><foreign>Effetti (he says, in
                                                describing the feelings of his own first love) che poche persone
                                                intendono, e pochissime provano: ma a quel soli pochissimi &#232;
                                                concesso l&#8217;uscir dalla folla volgare in tutte le umane
                                                arti.</foreign></q>&#8217; <persName key="AnCanov1822"
                                            >Canova</persName> used to say, that he perfectly well remembered
                                        having been in love when but five years old.</q>&#8221; </p>
                            </note>—her long eyelashes—her completely Greek cast of face and figure! I was then
                            about twelve—she rather older, perhaps a year. She died about a year or two afterwards,
                            in consequence of a fall, which injured her spine, and induced consumption. Her sister
                                <persName key="AuParke1802">Augusta</persName> (by some thought still more
                            beautiful) died of the same malady; and it was, indeed, in attending her, that
                                <persName>Margaret</persName> met with the accident which occasioned her own death.
                            My <persName key="AuLeigh1851">sister</persName> told me, that when she went to see
                            her, shortly before her death, upon accidentally mentioning my name,
                                <persName>Margaret</persName> coloured through the paleness of mortality to the
                            eyes, to the great astonishment of my sister, who (residing with her grandmother,
                                <persName key="LyHolde4">Lady Holderness</persName>, and seeing but little of me,
                            for family reasons) knew nothing of our attachment, nor could conceive why my name
                            should affect her at such a time. I knew nothing of her illness, being at Harrow and in
                            the country, till she was gone. Some years after, I made an attempt at an elegy—a very
                            dull one. I do not recollect scarcely any thing equal to the <hi rend="italic"
                                >transparent</hi> beauty of my cousin, or to the sweetness of her temper, during
                            the short period of our intimacy. She looked as if she had been made out of a
                            rainbow—all beauty and peace. My passion had its usual effects upon me—I could not
                            sleep—I could not eat—I could not rest; and although I had reason to know that she
                            loved me, it was the texture of my life to think of the time which must elapse before
                            we could meet again—being usually about twelve hours of separation! But I was a fool
                            then, and am not much wiser now.</q>&#8217;</q>&#8221; </p>

                <p xml:id="LG1-29"> At Aberdeen till ten years old; thence to Newstead, on succeeding to his title;
                    two years with <persName key="WiGlenn1828">Dr. Glennie</persName>, at his academy at Dulwich;
                    Harrow school till seventeen; and Trinity College, Cambridge, for about three years,—are data
                    which we need only indicate, as more important matters demand our regards. Of his school life
                    he has preserved many notes, whence his biographer has made many interesting selections. </p>

                <p xml:id="LG1-30"> &#8220;<q>Coming, as they do, from his own pen, it is needless to add, that
                        they afford the liveliest and best records of this period that can be furnished.
                            &#8216;<q>Till I was eighteen years old (odd as it may seem) I had never read a Review.
                            But while at Harrow, my general information was so great on modern topics as to induce
                            a suspicion that I could only collect so much information from <hi rend="italic"
                                >Reviews,</hi> because I was never <hi rend="italic">seen</hi> reading, but always
                            idle, and in mischief, or at play. The truth is, that I read eating, read in bed, read
                            when no one else read, and had read all sorts of reading since I was five years old,
                            and yet never <hi rend="italic">met</hi> with a Review, which is the only reason I know
                            of why I should not have read them. But it is true; for I remember when <persName
                                key="PeHunte1804">Hunter</persName> and <persName key="GeCurzo1805"
                                >Curzon</persName>, in 1804, told me this opinion at Harrow, I made them laugh by
                            my ludicrous astonishment in asking them &#8216;<hi rend="italic">What is</hi> a
                            Review?&#8217; To be sure, they were then less common. In three years more, I was
                            better acquainted with that name; but the first I ever read was in 1806-7. At school I
                            was (as I have said) remarked for the extent and readiness of my general information;
                            but in all other respects idle, capable of great sudden exertions (such as thirty or
                            forty Greek hexameters, of course with such prosody as it pleased God), but of few
                            continuous drudgeries. My qualities were much more oratorical and martial than
                            poetical, and <persName key="JoDrury1834">Dr. Drury</persName>, my grand patron (our
                            head master), had a great notion that I should turn out an orator, from my fluency, my
                            turbulence, my voice, my <cb/> copiousness of declamation, and my action*. I remember
                            that my first declamation astonished him into some unwonted (for he was economical of
                            such) and sudden compliments, before the declaimers at our first rehearsal. My first
                            Harrow verses (that is, English, as exercises), a translation of a chorus from the
                                <name type="title" key="Aesch456.Prometheus">Prometheus</name> of <persName
                                key="Aesch456">Æschylus</persName>, were received by him but coolly. No one had the
                            least notion that I should subside into poesy. <persName key="RoPeel1850"
                                >Peel</persName>, the orator and statesman (&#8216;that was, or is, or is to
                            be&#8217;), was my form-fellow, and we were both at the top of our remove (a
                            public-school phrase). We were on good terms, but his brother was my intimate friend.
                            There were always great hopes of Peel, amongst us all, masters and scholars—and he has
                            not disappointed them. As a scholar he was greatly my superior; as a declaimer and
                            actor, I was reckoned at least his equal; as a schoolboy, <hi rend="italic">out</hi> of
                            school, I was always <hi rend="italic">in</hi> scrapes, and <hi rend="italic">he
                                never;</hi> and <hi rend="italic">in school,</hi> he <hi rend="italic">always</hi>
                            knew his lesson, and I rarely,—but when I knew it, I knew it nearly as well. In general
                            information, history, &amp;c. &amp;c. I think I was <hi rend="italic">his</hi>
                            superior, as well as of most boys of my standing. The prodigy of our school-days was
                                <persName key="GeSincla1868">George Sinclair</persName> (son of <persName
                                key="JoSincl1835">Sir John</persName>); he made exercises for half the school (<hi
                                rend="italic">literally</hi>), verses at will, and themes without it. * * * He was
                            a friend of mine, and in the same remove, and used at times to beg me to let him do my
                            exercise,—a request always most readily accorded upon a pinch, or when I wanted to do
                            something else, which was usually once an hour. On the other hand, he was pacific and I
                            savage; so I fought for him, or thrashed others for him, or thrashed himself to make
                            him thrash others, when it was necessary, as a point of honour and stature, that he
                            should so chastise;—or we talked politics, for he was a great politician, and were very
                            good friends. I have some of his letters, written to me from school, still. <persName
                                key="GeClayt1816">Clayton</persName> was another school-monster of learning, and
                            talent, and hope; but what has become of him I do not know. He was certainly a genius.
                            My school-friendships were with me <foreign><hi rend="italic">passions</hi></foreign>
                            (for I was always violent), but I do not know that there is one which has endured (to
                            be sure some have been cut short by death) till now. That with <persName key="LdClare2"
                                >Lord Clare</persName> begun one of the earliest and lasted longest—being only
                            interrupted by distance—that I know of. I never hear the word &#8216;<hi rend="italic"
                                >Clare</hi>&#8217; without a beating of the heart even now, and I write it with the
                            feelings of 1803-4-5 <hi rend="italic">ad infinitum</hi>.</q>&#8217; * * *</q>
                </p>

                <p xml:id="LG1-31"> &#8220;<q>The general character which he bore among the masters at Harrow was
                        that of an idle boy, who would never learn any thing; and, as far as regarded his tasks in
                        school, this reputation was, by his own avowal, not ill founded. It is impossible, indeed,
                        to look through the books which he had then in use, and which are scribbled over with
                        clumsily interlined translations, without being struck with the narrow extent of his
                        classical attainments. The most ordinary Greek words have their English signification
                        scrawled under them,—showing too plainly that he was not sufficiently familiarized with
                        their meaning to trust himself without this aid. <cb/> Thus, in his <persName
                            key="Xenop354">Xenophon</persName> we find <hi rend="italic">
                            <foreign>&#957;&#949;&#959;&#953;</foreign>,
                                young—<foreign>&#963;&#959;&#956;&#945;&#963;&#953;&#957;</foreign>,
                                bodies—<foreign>&#945;&#957;&#977;&#950;&#969;&#960;&#959;&#953;&#962;
                                &#964;&#959;&#953;&#962; &#945;&#947;&#945;&#977;&#959;&#953;&#962;</foreign> good
                            men,</hi> &amp;c. &amp;c.—and even in the volumes of Greek Plays, which he presented to
                        the library on his departure, we observe, among other instances, the common word
                                <foreign><hi rend="italic">χρυσος</hi></foreign> provided with its English
                        representative in the margin. But, notwithstanding his backwardness in the mere verbal
                        scholarship, on which so large and precious a portion of life is wasted*, in all that
                        general and miscellaneous knowledge, which is alone useful in the world, he was making
                        rapid and even wonderful progress. With a mind too inquisitive and excursive to be
                        imprisoned within statutable limits, he flew to subjects that interested his already manly
                        tastes, with a zest which it is in vain to expect that the mere pedantries of school could
                        inspire; and the irregular, but ardent, snatches of study which he caught in this way gave
                        to a mind like his an impulse forwards, which left more disciplined and plodding
                        competitors far behind. The list, indeed, which he has left on record of the works, in all
                        departments of literature, which he thus hastily and greedily devoured before he was
                        fifteen years of age, is such as almost to startle belief,—comprising, as it does, a range
                        and variety of study, which might make much older <foreign>&#8220;helluones
                            librorum&#8221;</foreign> hide their heads. * * *</q>
                </p>

                <p xml:id="LG1-32"> &#8220;To a youth like <persName key="LdByron">Byron</persName>, abounding with
                    the most passionate feelings, and finding sympathy with only the ruder parts of his nature at
                    home, the little world of school afforded a vent for his affections, which was sure to call
                    them forth in their most ardent form. Accordingly, the friendships which he contracted both at
                    school and college were little less than what he himself describes them,
                    &#8216;passions.&#8217; The want he felt at home of those kindred dispositions, which greeted
                    him among &#8216;Ida&#8217;s social band,&#8217; is thus strongly described in one of his early
                    poems:&#8224;— <q>
                        <lg xml:id="LG1.36a">
                            <l rend="indent40"> &#8216;Is there no cause beyond the common claim, </l>
                            <l rend="indent40"> Endear&#8217;d to all in childhood&#8217;s very name? </l>
                            <l rend="indent40"> Ah! sure some stronger impulse vibrates here, </l>
                            <l rend="indent40"> Which whispers, friendship will be doubly dear </l>
                            <l rend="indent40"> To one who thus for kindred hearts must roam, </l>
                            <l rend="indent40"> And seek abroad the love denied at home; </l>
                            <l rend="indent40"> Those hearts, dear Ida, have I found in thee, </l>
                            <l rend="indent40"> A home, a world, a paradise to me.&#8217; </l>
                        </lg>
                    </q> This early volume, indeed, abounds with the most affectionate tributes to his
                    school-fellows. Even his expostulations to one of them, who had given him some cause for
                    complaint, are thus tenderly conveyed:— <q>
                        <lg xml:id="LG1.36b">
                            <l rend="indent40"> &#8216;You knew that my soul, that my heart, my existence, </l>
                            <l rend="indent20"> If danger demanded, were wholly your own; </l>
                            <l rend="indent40"> You knew me unalter&#8217;d by years or by distance, </l>
                            <l rend="indent20"> Devoted to love and to friendship alone. </l>
                        </lg>
                        <lg xml:id="LG1.36c">
                            <l rend="indent40"> &#8216;You knew—but away with the vain retrospection, </l>
                            <l rend="indent20"> The bond of affection no longer endures. </l>
                            <l rend="indent40"> Too late you may droop o&#8217;er the fond recollection, </l>
                            <l rend="indent20"> And sigh for the friend who was formerly yours.&#8217; </l>
                        </lg>
                    </q> The following description of what he felt after leaving Harrow, when he encountered in the
                    world any of his old schoolfellows, falls far short of the scene which actually occurred but
                        <note place="foot">
                        <figure rend="singleLine"/>
                        <p xml:id="LG1.36-n1"> * &#8220;<q>For the display of his declamatory powers, on the
                                speech-days, be selected always the most vehement passages,—such as the speech of
                                    <persName type="fiction">Zanga</persName> over the body of <persName
                                    type="fiction">Alonzo,</persName> and Lear&#8217;s address to the storm. On one
                                of these public occasions, when it was arranged that he should take the pert of
                                    <persName type="fiction">Drances</persName>, and young <persName
                                    key="RoPeel1850">Peel</persName> that of <persName type="fiction"
                                    >Turnus</persName>, <persName>Lord Byron</persName> suddenly changed his mind,
                                and preferred the speech of <persName type="fiction">Latinus</persName>,—fearing,
                                it was supposed, some ridicule from the inappropriate taunt of <persName
                                    type="fiction">Turnus</persName>, <q>
                                    <foreign>&#8216;Ventos&#226; in lingu&#226;, <hi rend="italic">pedibusque
                                            fugacibus istis.</hi>&#8217;</foreign></q>&#8221; </q>
                        </p>
                        <p xml:id="LG1.36-n2"> &#8224; &#8220;<q>Even previously to any of these school
                                friendships, he had formed the mine sort of romantic attachment to a boy of his own
                                age, the son of one of his tenants at Newstead; and there are two or three of his
                                most juvenile poems, in which he dwells no less upon the inequality than the warmth
                                of this friendship. Thus;—</q>
                        </p>
                        <q>
                            <lg xml:id="LG1.36d">
                                <l rend="indent40"> &#8216;Let Folly smile, to view the names </l>
                                <l rend="indent60"> Of thee and me in friendship twined; </l>
                                <l rend="indent40"> Yet Virtue will have greater claims </l>
                                <l rend="indent60"> To love, than rank with Vice combined. </l>
                            </lg>
                            <lg xml:id="LG1.36e">
                                <l rend="indent40"> &#8216;And though unequal is thy fate, </l>
                                <l rend="indent60"> Since title deck&#8217;d my higher birth, </l>
                                <l rend="indent40"> Yet envy not this gaudy state, </l>
                                <l rend="indent60"> Thine is the pride of modest worth. </l>
                            </lg>
                            <lg xml:id="LG1.36f">
                                <l rend="indent40"> &#8216;Our souls at least congenial meet, </l>
                                <l rend="indent60"> Nor can thy lot my rank disgrace; </l>
                                <l rend="indent40"> Our intercourse is not less sweet </l>
                                <l rend="indent60"> Since worth of rank supplies the place. </l>
                                <l rend="indent160">
                                    <hi rend="italic">November</hi>, 1820.&#8217;&#8221; </l>
                            </lg>
                        </q>
                    </note>
                    <pb xml:id="LG1.37"/> a few years before his death, in Italy,—when, on meeting with his friend,
                        <persName key="LdClare2">Lord Clare</persName>, after a long separation, he was affected
                    almost to tears by the recollections which rushed on him. <q>
                        <lg xml:id="LG1.37a">
                            <l rend="indent40"> —&#8216;If chance some well remember&#8217;d face, </l>
                            <l rend="indent40"> Some old companion of my early race, </l>
                            <l rend="indent40"> Advance to claim his friend with honest joy, </l>
                            <l rend="indent40"> My eyes, my heart proclaim&#8217;d me still a boy; </l>
                            <l rend="indent40"> The glittering scene, the fluttering groups around, </l>
                            <l rend="indent40"> Were all forgotten when my friend was found.&#8217;&#8221; </l>
                        </lg>
                    </q>
                </p>

                <p xml:id="LG1-33"> Of his parting with <persName key="MaMuste1832">Miss Chaworth</persName>
                    (1805)* we have also some early poetical records. </p>

                <p xml:id="LG1-34"> &#8220;<q>With the summer holidays ended this dream of his youth. He saw
                            <persName key="MaMuste1832">Miss Chaworth</persName> once more in the succeeding year,
                        and took his last farewell of her (as he himself used to relate) on that hill near
                        Annesley&#8224; which, in his poem of &#8216;<name type="title" key="LdByron.Dream">the
                            Dream</name>,&#8217; he describes so happily as &#8216;crowned with a peculiar
                        diadem.&#8217; No one, he declared, could have told how much he felt—for his countenance
                        was calm and his feelings restrained. &#8216;The next time I see you,&#8217; said he, in
                        parting with her, &#8216;I suppose you will be <persName>Mrs. Chaworth</persName>;&#8225;
                        and her answer was, &#8216;I hope so.&#8217; It was before this interview that he wrote,
                        with a pencil, in a volume of <persName key="FrMaint1719">Madame de
                            Maintenon&#8217;s</persName> letters belonging to her, the following verses, which have
                        never, I believe, before been published: <q>
                            <lg xml:id="LG1.37b">
                                <l rend="indent40"> &#8220;Oh Memory, torture me no more, </l>
                                <l rend="indent60"> The present&#8217;s all o&#8217;ercast; </l>
                                <l rend="indent40"> My hopes of future bliss are o&#8217;er, </l>
                                <l rend="indent60"> In mercy veil the past. </l>
                                <l rend="indent40"> Why bring those images to view </l>
                                <l rend="indent60"> I henceforth must resign? </l>
                                <l rend="indent40"> Ah! why those happy hours renew, </l>
                                <l rend="indent60"> That never can be mine? </l>
                                <l rend="indent40"> Past pleasure doubles present pain, </l>
                                <l rend="indent60"> To sorrow adds regret, </l>
                                <l rend="indent40"> Regret and hope are both in vain, </l>
                                <l rend="indent60"> I ask but to—forget.&#8221; </l>
                            </lg>
                        </q> In the following year, 1805, <persName>Miss Chaworth</persName> was married to his
                        successful rival, <persName key="JoMuste1849">Mr. John Musters</persName>; and a person who
                        was present when the first intelligence of the event was communicated to him, thus
                        describes the manner in which he received it.—&#8216;<q>I was present when he first heard
                            of the marriage. His mother said, &#8216;<persName>Byron</persName>, I have some news
                            for you.&#8217;—&#8216;Well, what is it?&#8217;—&#8216;Take out your handkerchief
                            first, for you will want Nonsense!&#8217;—&#8216;Take out your handkerchief, I
                            say.&#8217; He did so, to humour her. &#8216;<persName>Miss Chaworth</persName> is
                            married.&#8217; An expression, very peculiar, impossible to describe, passed over his
                            pale face, and he hurried his handkerchief into his pocket, saying, with an affected
                            air of coldness and nonchalance, &#8216;Is that all?&#8217;—&#8216;Why, I expected you
                            would have been plunged in grief!&#8217;—He made no reply, and soon began to talk about
                            something else.</q>&#8217;</q>&#8221; </p>

                <p xml:id="LG1-35"> We regret that our limits prevent us from going into the curious details
                    respecting the publication of his first volume of poems, in 1806; but we must, at least, defer
                    this portion of our task, and advance to the few remaining extracts we can now allow to this,
                    though paramountly interesting, work—(1807). </p>

                <p xml:id="LG1-36"> &#8220;Whether the verses (says the author) I am now about to give are, in any
                    degree, founded on fact, I have no accurate means of determining. Fond as he was of recording
                    every particular of his youth, such an event, or rather era, as is here commemorated, would
                    have been, of all others, the least likely to pass unmentioned by him;—and yet neither in
                    conversation nor in any of his writings do I remember even an allusion to it.&#8214; On the
                    other hand, so entirely was all that he wrote,—making allowance for the embellishments of
                    fancy,—the transcript of his actual life and feelings, that it is not easy to suppose a poem,
                    so full of natural tenderness, to have been indebted for its origin to imagination alone. <q>
                        <lg xml:id="LG1.37c">
                            <l rend="indent140"> &#8216;<name type="title" key="LdByron.Son"><hi rend="italic">To
                                        my Son.</hi></name>
                            </l>
                            <l rend="indent60"> Those flaxen locks, those eyes of blue, </l>
                            <l rend="indent60"> Bright as thy mother&#8217;s in their hue; </l>
                            <l rend="indent60"> Those rosy lips, whose dimples play </l>
                            <l rend="indent60"> And smile to steal the heart away, </l>
                            <l rend="indent60"> Recall a scene of former joy, </l>
                            <l rend="indent60"> And touch thy father&#8217;s heart, my Boy! </l>
                        </lg>
                        <lg xml:id="LG1.37d">
                            <l rend="indent60"> And thou canst lisp a father&#8217;s name— </l>
                            <l rend="indent60"> Ah, <persName>William</persName>, were thine own the same, </l>
                            <l rend="indent60"> No self-reproach—but, let me cease </l>
                            <l rend="indent60"> My care for thee shall purchase peace; </l>
                            <l rend="indent60"> Thy mother&#8217;s shade shall smile in joy, </l>
                            <l rend="indent60"> And pardon all the past, my Boy! </l>
                        </lg>
                        <lg xml:id="LG1.37e">
                            <l rend="indent60"> Her lowly grave the turf has prest, </l>
                            <l rend="indent60"> And thou best known a stranger&#8217;s breast. </l>
                            <l rend="indent60"> Derision sneers upon thy birth, </l>
                            <l rend="indent60"> And yields thee scarce a name on earth; </l>
                            <l rend="indent60"> Yet shall not these one hope destroy,— </l>
                            <l rend="indent60"> A Fathers heart is thine, my Boy! </l>
                        </lg>
                        <lg xml:id="LG1.37f">
                            <l rend="indent60"> Why, let the world unfeeling frown, </l>
                            <l rend="indent60"> Must I fond Nature&#8217;s claim disown? </l>
                            <l rend="indent60"> Ah, no—though moralists reprove, </l>
                            <l rend="indent60"> I hail thee, dearest child of love, </l>
                            <l rend="indent60"> Fair cherub, pledge of youth and joy— </l>
                            <l rend="indent60"> A Father guards thy birth, my Boy! </l>
                        </lg>
                        <lg xml:id="LG1.37g">
                            <l rend="indent60"> Oh, &#8217;twill be sweet in thee to trace, </l>
                            <l rend="indent60"> Ere age has wrinkled o&#8217;er my face, </l>
                            <l rend="indent60"> Ere half my glass of life is run, </l>
                            <l rend="indent60"> At once a brother and a son; </l>
                            <l rend="indent60"> And all my wane of years employ </l>
                            <l rend="indent60"> In justice done to thee, my Boy! </l>
                        </lg>
                        <lg xml:id="LG1.37h">
                            <l rend="indent60"> Although so young thy heedless sire, </l>
                            <l rend="indent60"> Youth will not damp parental fire; </l>
                            <l rend="indent60"> And, wert thou still less dear to me, </l>
                            <l rend="indent60"> While Helen&#8217;s form revives in thee, </l>
                            <l rend="indent60"> The breast, which beat to former joy, </l>
                            <l rend="indent60"> Will ne&#8217;er desert its pledge, my Boy! </l>
                            <l rend="indent60">
                                <seg rend="right">&#8216;B——, 1807.&#8217;&#8214;&#8214;</seg>
                            </l>
                        </lg>
                    </q> But the most remarkable of these poems is one of a date prior to any I have given, being
                    written in December 1800, when he was not yet nineteen years old. It contains, as will be seen,
                    his religious creed at that period, and shews how early the struggle between natural piety and
                    doubt began in his mind. <q>
                        <lg xml:id="LG1.37i">
                            <l rend="indent80"> &#8220;<name type="title" key="LdByron.Prayer"><hi rend="italic"
                                        >The Prayer of Nature</hi></name>. </l>
                            <l rend="indent40"> &#8220;Father of Light! great God of Heaven! </l>
                            <l rend="indent60"> Hear&#8217;st thou the accents of despair? </l>
                            <l rend="indent40"> Can guilt like man&#8217;s be e&#8217;er forgiven? </l>
                            <l rend="indent60"> Can vice atone for crimes by prayer? </l>
                            <l rend="indent40"> Father of Light, on thee I call! </l>
                            <l rend="indent60"> Thou see&#8217;st my soul is dark within; </l>
                            <l rend="indent40"> Thou who must mark the sparrow&#8217;s fall, </l>
                            <l rend="indent60"> Avert from me the death of sin. </l>
                            <l rend="indent40"> No shrine I seek, to sects unknown, </l>
                            <l rend="indent60"> Oh point to me the path of truth! </l>
                            <l rend="indent40"> Thy dread omnipotence I own, </l>
                            <l rend="indent60"> Spare, yet amend, the faults of youth. </l>
                            <l rend="indent40"> Let bigots rear a gloomy fane, </l>
                            <l rend="indent60"> Let superstition hail the pile, </l>
                            <l rend="indent40"> Let priests, to spread their sable reign, </l>
                            <l rend="indent60"> With tales of mystic rites beguile. </l>
                            <l rend="indent40"> Shall man confine his Maker&#8217;s sway </l>
                            <l rend="indent60"> To Gothic domes of mouldering stone? </l>
                            <l rend="indent40"> Thy temple is the face of day; </l>
                            <l rend="indent60"> Earth, ocean, heaven, thy boundless throne. </l>
                            <l rend="indent40"> Shall man condemn his race to hell </l>
                            <l rend="indent60"> Unless they bend in pompous form; </l>
                            <l rend="indent40"> Tell us that all, for one who fell, </l>
                            <l rend="indent60"> Must perish in the mingling storm? </l>
                            <l rend="indent40"> Shall each pretend to reach the skies, </l>
                            <l rend="indent60"> Yet doom his brother to expire, </l>
                            <l rend="indent40"> Whose soul a different hope supplies, </l>
                            <l rend="indent60"> Or doctrines less severe inspire? </l>
                            <l rend="indent40"> Shall these, by creeds they can&#8217;t expound, </l>
                            <l rend="indent60"> Prepare a fancied bliss or woe? </l>
                            <l rend="indent40"> Shall reptiles, groveling on the ground, </l>
                            <l rend="indent60"> Their great Creator&#8217;s purpose know? </l>
                            <l rend="indent40"> Shall those, who live for self alone, </l>
                            <l rend="indent60"> Whose years float on in daily crime— </l>
                            <l rend="indent40"> Shall they by Faith for guilt atone, </l>
                            <l rend="indent60"> And live beyond the bounds of Time? </l>
                            <l rend="indent40"> Father! no prophet&#8217;s laws I seek,— </l>
                            <l rend="indent60">
                                <hi rend="italic">Thy</hi> laws in Nature&#8217;s works appear;— </l>
                            <l rend="indent40"> I own myself corrupt and weak, </l>
                            <l rend="indent60"> Yet will I pray, for thou wilt hear! </l>
                            <l rend="indent40"> Then, who canst guide the wandering star </l>
                            <l rend="indent60"> Through trackless realms of Æther&#8217;s space; </l>
                            <l rend="indent40"> Who calm&#8217;st the elemental war, </l>
                            <l rend="indent60"> Whose hand from pole to pole I trace:— </l>
                            <l rend="indent40"> Thou, who in wisdom placed me here, </l>
                            <l rend="indent60"> Who, when thou wilt, can take me hence, </l>
                            <l rend="indent40"> Ah! whilst I tread this earthly sphere, </l>
                            <l rend="indent60"> Extend to me thy wide defence. </l>
                            <l rend="indent40"> To Thee, my God, to Thee I call! </l>
                            <l rend="indent60"> Whatever weal or woe betide, </l>
                            <l rend="indent40"> By thy command I rise or fall, </l>
                            <l rend="indent60"> In thy protection I confide. </l>
                            <l rend="indent40"> If, when this dust to dust restored, </l>
                            <l rend="indent60"> My soul shall float on airy wing, </l>
                            <l rend="indent40"> How shall thy glorious name adored </l>
                            <l rend="indent60"> Inspire her feeble voice to sing! </l>
                        </lg>
                    </q>
                    <note place="foot">
                        <figure rend="singleLine"/>
                        <p xml:id="LG1.37-n1"> * Of the formation of this attachment, <persName key="ThMoore1852"
                                >Mr. Moore</persName> says: &#8220;<q>To the family of <persName key="MaMuste1832"
                                    >Miss Chaworth</persName>, who resided at Annesley, in the immediate
                                neighbourhood of Newstead, he had been made known, some time before, in London, and
                                now renewed his acquaintance with them. The young heiress herself combined with the
                                many worldly advantages that encircled her, much personal beauty, and a disposition
                                the most amiable and attaching. Though already fully alive to her charms, it was at
                                the period of which we are speaking that the young poet, who was then in his
                                sixteenth year, while the object of his adoration was about two years older, seems
                                to have drunk deepest of that fascination whose effects were to be so lasting;—six
                                short summer weeks which he now passed in her company being sufficient to lay the
                                foundation of a feeling for all life. He used, at first, though offered a bed at
                                Annesley, to return every night to Newstead, to sleep; alleging as a reason that he
                                was afraid of the family pictures of the Chaworths,—that he fancied &#8216;they had
                                taken a grudge to him on account of the duel, and would come down from their frames
                                at night to haunt him.&#8217; At length, one evening, he said gravely to
                                    <persName>Miss Chaworth</persName> and her cousin, &#8216;In going home last
                                night I saw a <hi rend="italic">bogle;</hi>&#8217;—which Scotch term being wholly
                                unintelligible to the young ladies, he explained that he had seen a <hi
                                    rend="italic">ghost,</hi> and would not therefore return to Newstead that
                                evening. From this time, he always slept at Annesley during the remainder of his
                                visit, which was interrupted only by a short excursion to Matlock and Castleton, in
                                which he had the happiness of accompanying <persName>Miss Chaworth</persName> and
                                her party, and of which the following interesting notice appears in one of his
                                memorandum-books:— <q> &#8216;When I was fifteen years of age, it happened that, in
                                    a cavern in Derbyshire, I had to cross in a boat (in which two people only
                                    could lie down), a stream which flows under a rock, with the rock so close upon
                                    the water as to admit the boat only to be pushed on by a ferryman (a sort of
                                    Charon) who wades at the sterns stooping all the time. The companion of my
                                    transit was M. A. C., with whom I had been long in love and never told it,
                                    though <hi rend="italic">she</hi> had discovered it without. I recollect my
                                    sensations, but cannot describe them, and it is as well. We were a party, a Mr.
                                    W., two Miss W.s, Mr. and Mrs. Cl—ke, Miss R., and <hi rend="italic">my</hi> M.
                                    A. C. Alas! why do I say <hi rend="small-caps">my</hi>? Our union would have
                                    healed feuds in which blood had been shed by our fathers, it would have joined
                                    lands broad and rich, it would have joined at least one heart, and two persons
                                    not ill matched in years (she is two years my elder), and—and—and—what has been
                                    the result?&#8217;</q>&#8221; </q>
                        </p>
                        <p xml:id="LG1.37-n2"> &#8224; &#8220;<q>Among the unpublished verses of his in my
                                possession I find the following fragment written not long after this period:</q>
                            <q>
                                <lg xml:id="LG1.37j">
                                    <l rend="indent40"> Hills of Annesley, bleak and barren, </l>
                                    <l rend="indent60"> Where my thoughtless childhood stray&#8217;d, </l>
                                    <l rend="indent40"> How the northern tempests, warring, </l>
                                    <l rend="indent60"> Howl above thy tufted shade! </l>
                                </lg>
                                <lg xml:id="LG1.37k">
                                    <l rend="indent40"> &#8220;Now no more, the hours beguiling, </l>
                                    <l rend="indent60"> Former favourite haunts I see; </l>
                                    <l rend="indent40"> Now no more my Mary smiling </l>
                                    <l rend="indent60"> Makes ye seem a Heaven to me.&#8221; </l>
                                </lg>
                            </q>
                        </p>
                        <p xml:id="I.57-n1"> &#8225; The lady&#8217;s husband, for some time, took her family name. </p>
                        <p xml:id="LG1.37-n3"> &#8214; &#8220;<q>The only circumstance I know, that bears even
                                remotely on the subject of this poem, is the following. About a year or two before
                                the date affixed to it, he wrote to his mother, from Harrow (as I have been told by
                                a person, to whom <persName key="CaByron1811">Mrs. Byron</persName> herself
                                communicated the circumstance), to say, that he had lately had a good deal of
                                uneasiness on account of a young woman, whom he knew to have been a favourite of
                                his late friend, <persName key="GeCurzo1805">Curzon</persName>, and who, finding
                                herself after his death in a state of progress towards maternity, had declared
                                    <persName key="LdByron">Lord Byron</persName> was the father of her child.
                                This, he positively assured his mother, was not the case; but, believing, as he did
                                firmly, that the child belonged to <persName>Curson</persName>, it was his wish
                                that it should be brought up with all possible care, and he therefore entreated
                                that his mother would have the kindness to take charge of it. Though such a request
                                might well (as my informant expresses it) have discomposed a temper more mild than
                                    <persName>Mrs. Byron&#8217;s</persName>, she notwithstanding answered her son
                                in the kindest terms, saying that she would willingly receive the child as soon as
                                it was born, and bring it up in whatever manner he desired. Happily, however, the
                                infant died almost immediately, and was thus spared the being a tax on the
                                good-nature of any body.</q>&#8221; </p>
                    </note>
                    <note place="foot">
                        <p xml:id="LG1.37-n4"> &#8214;&#8214; &#8220;<q>In this practice of dating his juvenile
                                poems he followed the example of <persName key="JoMilto1674">Milton</persName>, who
                                (says <persName key="SaJohns1784">Johnson</persName>), &#8216;<q>by affixing the
                                    dates to his first compositions, a boast of which the learned <persName
                                        key="AnPoliz1494">Politian</persName> had given him an example, seems to
                                    commend the earliness of his own compositions to the notice of
                                posterity.</q>&#8217; The following trifle, written also by him in 1807, has never
                                as far as I know, appeared in print:—</q>
                        </p>
                        <q>
                            <l rend="center">
                                <name type="title" key="LdByron.Adams">
                                    <seg rend="10px">&#8216;<hi rend="italic">Epitaph on John Adams, of Southwell,
                                            a Carrier, who died of drunkenness.</hi></seg>
                                </name>
                            </l>
                            <lg xml:id="LG1.37l">
                                <l rend="indent40"> John Adams lies here, of the parish of Southwell, </l>
                                <l rend="indent40"> A <hi rend="italic">Carrier</hi>, who <hi rend="italic"
                                        >carried</hi> his can to his mouth well; </l>
                                <l rend="indent40"> He <hi rend="italic">carried</hi> so much, and he <hi
                                        rend="italic">carried</hi> so fast, </l>
                                <l rend="indent40"> He could <hi rend="italic">carry</hi> no more—so was <hi
                                        rend="italic">carried</hi> at last; </l>
                                <l rend="indent40"> For, the liquor he drank, being too much for one, </l>
                                <l rend="indent40"> He could not <hi rend="italic">carry</hi> off,—so he&#8217;s
                                    now <hi rend="italic">carri-on.</hi>
                                </l>
                            </lg>
                            <l rend="indent16"> &#8220;B——, Sept. 1807.&#8221; </l>
                        </q>
                    </note>
                    <pb xml:id="LG1.38"/>
                    <q>
                        <lg xml:id="LG1.38a">
                            <l rend="indent40"> But, if this fleeting spirit share </l>
                            <l rend="indent60"> With clay the grave&#8217;s eternal bed, </l>
                            <l rend="indent40"> While life yet throbs I raise my prayer, </l>
                            <l rend="indent60"> Though doom&#8217;d no more to quit the dead. </l>
                            <l rend="indent40"> To Thee I breathe my humble strain, </l>
                            <l rend="indent60"> Grateful for all thy mercies past, </l>
                            <l rend="indent40"> And hope, my God, to thee again </l>
                            <l rend="indent60"> This erring life may fly at last.&#8217; </l>
                        </lg>
                    </q> In <name type="title" key="LdByron.Adieu">another</name> of these poems, which extends to
                    about a hundred lines, and which he wrote under the melancholy impression that he should soon
                    die, we find him concluding with a prayer in somewhat the same spirit. After bidding adieu to
                    all the favourite scenes of his youth,* he thus continues,— </p>

                <q>
                    <lg xml:id="LG1.38b">
                        <l rend="indent40"> &#8216;Forget this world, my restless sprite, </l>
                        <l rend="indent60"> Turn, turn thy thoughts to Heav&#8217;n: </l>
                        <l rend="indent40"> There must thou soon direct thy flight, </l>
                        <l rend="indent60"> If errors are forgiven. </l>
                        <l rend="indent40"> To bigots and to sects unknown, </l>
                        <l rend="indent40"> Bow down beneath th&#8217; Almighty&#8217;s Throne;— </l>
                        <l rend="indent60"> To him address thy trembling prayer; </l>
                        <l rend="indent40"> He, who is merciful and just, </l>
                        <l rend="indent40"> Will not reject a child of dust, </l>
                        <l rend="indent60"> Although his meanest care. </l>
                        <l rend="indent40"> Father of Light! to thee I call, </l>
                        <l rend="indent60"> My soul is dark within; </l>
                        <l rend="indent40"> Thou, who canst mark the sparrow fall, </l>
                        <l rend="indent60"> Avert the death of sin. </l>
                        <l rend="indent40"> Thou, who canst guide the wandering star, </l>
                        <l rend="indent40"> Who calm&#8217;st the elemental war, </l>
                        <l rend="indent60"> Whose mantle is yon boundless sky, </l>
                        <l rend="indent40"> My thoughts, my words, my crimes forgive; </l>
                        <l rend="indent40"> And, since I soon must cease to live, </l>
                        <l rend="indent60"> Instruct me how to die.&#8217; </l>
                    </lg>
                </q>

                <p xml:id="LG1-37"> Into the discussion of <persName key="LdByron">Lord Byron&#8217;s</persName>
                    early religious infidelity we cannot follow his biographer, who, we think, is rather harsh on
                    this point, as the habit of <persName>Lord Byron</persName> to exaggerate his own faults might
                    have suggested some modification of the charge; but must indeed conclude, which, for the sake
                    of variety, we do with an account of his departure from England to travel: it is given in a
                    letter to <persName key="FrHodgs1852">Mr. Hodgson</persName>. </p>

                <l rend="right">
                    <seg rend="14pxNS">
                        <q>&#8220;&#8216;<hi rend="italic">Falmouth, June</hi> 25th, 1809.</q>
                    </seg>
                </l>

                <p xml:id="LG1-38"> &#8220;&#8216;<q>My dear <persName key="FrHodgs1852">Hodgson</persName>,—Before
                        this reaches you, <persName key="JoHobho1869">Hobhouse</persName>, two officers&#8217;
                        wives, three children, two waiting-maids, ditto subalterns for the troops, three Portuguese
                        esquires and domestics, in all nineteen souls, will have sailed in the Lisbon packet, with
                        the noble <persName key="CpKidd1809">Captain Kidd</persName>, a gallant commander as ever
                        smuggled an anker of right Nantz. We are going to Lisbon first, because the Malta packet
                        has sailed, d&#8217;ye see?—from Lisbon to Gibraltar, Malta, Constantinople, and &#8216;all
                        that,&#8217; as <persName key="JoHenle1756">Orator Henley</persName> said, when he put the
                        Church, and &#8216;all that,&#8217; in danger. This town of Falmouth, as you will partly
                        conjecture, is no great ways from the sea. It is defended on the sea-side by tway castles,
                        St. Maws and Pendennis, extremely well calculated for annoying every body except an enemy.
                        St. Maws is garrisoned by an able-bodied person of fourscore, a widower. He has the whole
                        command and sole management at six most unmanageable pieces of ordnance, admirably adapted
                        for the destruction of Pendennis, a like tower of strength on the opposite side of the
                        Channel. We have seen St. Maws, but Pendennis they will not let us behold, save at a
                        distance, because <persName>Hobhouse</persName> and I are suspected of having already taken
                        St. Maws by a coup de main. The town contains many quakers and salt-fish—the oysters have a
                        taste of copper, owing to the soil of a mining country—the women (blessed be the
                        Corporation therefor!) are flogged at the cart&#8217;s tail when they pick and steal, as
                        happened to one of the fair sex yesterday noon. She was pertinacious in her behaviour, and
                        damned the mayor. * * * <persName>Hodgson</persName>! remember me to the
                            <persName>Drury</persName>, and remember me to yourself, when drunk:—I am not worth a
                        sober thought. Look to my Satire at <persName key="JaCawth1832"
                            >Cawthorne&#8217;s</persName>, Cockspur-street. * * * I don&#8217;t know when I can
                        write again, because it depends on that experienced navigator, <persName key="CpKidd1809"
                            >Captain Kidd</persName>, and the &#8216;stormy winds that (don&#8217;t) blow&#8217; at
                        this season. I leave England without regret—I shall return to it without pleasure. I am
                        like <persName>Adam</persName>, the first convict, sentenced to transportation, but I have
                        no <persName>Eve</persName>, and have eaten no apple but what was sour as a crab;—and thus
                        ends my first chapter. Adieu. Yours, &amp;c.</q>&#8217; </p>

                <p xml:id="LG1-39"> &#8220;<q>In this letter the following lively verses were enclosed:</q>
                    <q>
                        <lg xml:id="LG1.38c">
                            <l rend="indent180"> &#8216;<hi rend="italic">Falmouth Roads, June</hi> 30, 1809. </l>
                            <l rend="indent60"> &#8216;Huzza, <persName key="FrHodgs1852">Hodgson</persName>! we
                                are going; </l>
                            <l rend="indent60"> Our embargo&#8217;s off at last; </l>
                            <l rend="indent60"> Favourable breezes blowing, </l>
                            <l rend="indent60"> Bend the canvas o&#8217;er the mast. </l>
                            <l rend="indent60"> From aloft the signal&#8217;s streaming— </l>
                            <l rend="indent60"> Hark! the farewell-gun is fired; </l>
                            <l rend="indent60"> Women screeching, tars blaspheming, </l>
                            <l rend="indent60"> Tell us that our time&#8217;s expired. </l>
                            <l rend="indent100"> There&#8217;s a rascal, </l>
                            <l rend="indent100"> Come to task all </l>
                            <l rend="indent60"> Prying from the Custom-house! </l>
                            <l rend="indent100"> Trunks unpacking, </l>
                            <l rend="indent100"> Cases cracking; </l>
                            <l rend="indent60"> Not a corner for a mouse </l>
                            <l rend="indent60"> &#8217;Scapes unsearched amid the racket, </l>
                            <l rend="indent60"> Ere we sail on board The Packet!&#8217; </l>
                        </lg>
                        <lg xml:id="LG1.38d">
                            <l rend="indent60"> Now our boatmen quit their mooring, </l>
                            <l rend="indent60"> And all hands must ply the oar; </l>
                            <l rend="indent60"> Baggage from the quay is lowering; </l>
                            <l rend="indent60"> We&#8217;re impatient push from shore. </l>
                            <l rend="indent60"> &#8220;Have a care! that case holds liquor.&#8221;— </l>
                            <l rend="indent60"> &#8220;Stop the boat! I&#8217;m sick oh, Lord!&#8221;— </l>
                            <l rend="indent60"> &#8220;Sick, Ma&#8217;am? damme! you&#8217;ll be sicker </l>
                            <l rend="indent60"> Ere you&#8217;ve been an hour on board.&#8221; </l>
                            <l rend="indent100"> Thus are screaming </l>
                            <l rend="indent100"> Men and women, </l>
                            <l rend="indent60"> Gemmen, ladies, servants, Jacks; </l>
                            <l rend="indent100"> Here entangling, </l>
                            <l rend="indent100"> All are wrangling, </l>
                            <l rend="indent60"> Stuck together close as wax. </l>
                            <l rend="indent60"> Such the general noise and racket, </l>
                            <l rend="indent60"> Ere we reach The Lisbon Packet! </l>
                        </lg>
                        <lg xml:id="LG1.38e">
                            <l rend="indent60"> Now we&#8217;ve reached her! Lo! the captain, </l>
                            <l rend="indent60"> Gallant <persName key="CpKidd1809">Kidd</persName>, commands the
                                crew; </l>
                            <l rend="indent60"> Passengers their berths are clapt in, </l>
                            <l rend="indent60"> Some to grumble, some to spew. </l>
                            <l rend="indent60"> &#8220;Heyday! call you that a cabin? </l>
                            <l rend="indent60"> Why, &#8217;tis hardly three feet square— </l>
                            <l rend="indent60"> Not enough to stow Queen Mab in! </l>
                            <l rend="indent60"> Who the deuce can harbour there?&#8221;— </l>
                            <l rend="indent100"> &#8220;Who, Sir? plenty; </l>
                            <l rend="indent100"> Nobles twenty </l>
                            <l rend="indent60"> Did at once my vessel fill.&#8221;— </l>
                            <l rend="indent100"> &#8220;Did they? Jesus! </l>
                            <l rend="indent100"> How you squeeze us!— </l>
                            <l rend="indent60"> Would to God they did so still! </l>
                            <l rend="indent60"> Then I&#8217;d &#8217;scape the heat and racket </l>
                            <l rend="indent60"> Of the good ship, Lisbon Packet! </l>
                        </lg>
                        <lg xml:id="LG1.38f">
                            <l rend="indent60">
                                <persName key="WiFletc1831">Fletcher</persName>! <persName key="JoMurra1820"
                                    >Murray</persName>! <persName key="RoRusht1827">Bob</persName>! where are you? </l>
                            <l rend="indent60"> Stretched along the deck like logs! </l>
                            <l rend="indent60"> Bear a hand, you jolly tar, you! </l>
                            <l rend="indent60"> Here&#8217;s a rope&#8217;s-end for the dogs. </l>
                            <l rend="indent60">
                                <persName key="JoHobho1869">Hobhouse</persName>, muttering fearful curses, </l>
                            <l rend="indent60"> As the hatchway down he rolls; </l>
                            <l rend="indent60"> Now his breakfast, now his verses, </l>
                            <l rend="indent60"> Vomits forth, and damns our souls. </l>
                            <l rend="indent100"> Here&#8217;s a stanza </l>
                            <l rend="indent100"> On Braganza. </l>
                            <l rend="indent60"> &#8220;Help!&#8221; &#8220;A couplet?&#8221; &#8220;No, a cup </l>
                            <l rend="indent100"> Of warm water.&#8221;— </l>
                            <l rend="indent100"> &#8220;What&#8217;s the matter?&#8221;— </l>
                            <l rend="indent60"> &#8220;Zounds! my liver&#8217;s coming up: </l>
                            <l rend="indent60"> I shall not survive the racket </l>
                            <l rend="indent60"> Of this brutal Lisbon Packet!&#8221; </l>
                        </lg>
                        <lg xml:id="LG1.38g">
                            <l rend="indent60"> Now at length we&#8217;re off for Turkey— </l>
                            <l rend="indent60"> Lord knows when we may come back; </l>
                            <l rend="indent60"> Breezes foul, and tempests murky, </l>
                            <l rend="indent60"> May unship us in a crack: </l>
                            <l rend="indent60"> But, since life at most a jest is, </l>
                            <l rend="indent60"> As philosophers allow, </l>
                            <l rend="indent60"> Still to laugh by far the best is; </l>
                            <l rend="indent60"> Then laugh on, as I do now. </l>
                            <l rend="indent100"> Laugh at all things, </l>
                            <l rend="indent100"> Great and small things, </l>
                            <l rend="indent60"> Sick or well, at sea or shore; </l>
                            <l rend="indent100"> While we&#8217;re quaffing, </l>
                            <l rend="indent100"> Let&#8217;s have laughing; </l>
                            <l rend="indent60"> Who the devil cares for more? </l>
                            <l rend="indent60"> Some good wine! and who would lack it, </l>
                            <l rend="indent60"> E&#8217;en on board The Lisbon Packet?&#8217; </l>
                        </lg>
                    </q>
                    <q>On the 2d of July the packet sailed from Falmouth, and, after a favourable passage of <cb/>
                        four days and a half, the voyagers reached Lisbon, and took up their abode in that
                        city.</q>&#8221; </p>

                <note place="foot">
                    <figure rend="singleLine"/>
                    <p xml:id="LG1.38-n1"> * &#8220;<q>Annesley is, of course, not forgotten among the number:—</q>
                        <q>
                            <lg xml:id="I.108b">
                                <l rend="indent40"> &#8216;And shall I here forget the scene, </l>
                                <l rend="indent60"> Still nearest to my breast? </l>
                                <l rend="indent40"> Rocks rise and rivers roll between </l>
                                <l rend="indent60"> The rural spot which passion blest; </l>
                                <l rend="indent40"> Yet, <persName key="MaMuste1832">Mary</persName>, all thy
                                    beauties seem </l>
                                <l rend="indent60"> Fresh as in Love&#8217;s bewitching dream,&#8217; &amp;c.
                                    &amp;c.&#8221; </l>
                            </lg>
                        </q>
                    </p>
                </note>
                <lb/>
                <lb/>
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